Wednesday, May 31, 2017

Older Americans Month: Age Out Loud

When I heard that this year’s Older Americans Month theme was “Age Out Loud,” I thought about the relatively loud Baby Boomer Generation (born 1946-1964), which followed the Quiet Generation (born 1925-1945) and came of age during the Free Speech Movement (student leader Jack Weinberg, at age 24 in 1964, infamously advised, “Don’t trust anybody over 30”), Gathering of Tribes for a Human Be-In (its press release announced “a new nation has grown inside the robot flesh of the old”) and Summer of Love.    
Some of my Older American shut-in clients came to San Francisco as flower children during the Summer of Love 50 years ago.  While they view the Summer of Love as a memory and nostalgia for youthful idealism (“imagining a world in which we wanted to live and making it real by acting it out,” according to Peter Coyote), I view it as history for learning about its enduring influence: rise of youth culture (questioning authority in transition from gerontocracy to gerontophobia), women’s liberation, do-it-yourself, back-to-nature, communal living, open source collaboration, higher consciousness (via Eastern spirituality, psychedelic drugs like LSD and cannabis), personal authenticity, ecological awareness, etc.  This month I had a blast attending several groovy Summer of Love commemoration events. 
San Francisco Arts Commission’s Art on Market Street commemorated Summer of Love with poster drawing of Digger Emmett Grogan on bus shelter.  In San Francisco, low- to moderate-income seniors age 65+ ride Muni bus free!
  
Hippie Modernism: The Struggle for Utopia  
“It is possible that it is possible … Take the no out of now then…”  Berkeley Arts Museum and Pacific Film Archive’s Hippie Modernism: The Struggle for Utopia exhibit explored the youth-driven counterculture’s possibilities for utopia in design and technology.       
The Diggers came out of San Francisco Mime Troupe (anarchist guerrilla street theater group) based in Haight-Ashbury. Their 1% Free (1967) poster, designed by Digger Peter Berg and showing two Chinese tong men waiting beneath the Chinese character for “revolution,” suggested that Free people were a minority.  Hippies from the 1960s were predominantly white, middle-class youth.
The Diggers’ agenda was to create a Free City, by putting free before any word: food, store, shelter, healthcare, entertainment, etc.—viewed as human rights instead of commodities.  This challenged “business as usual” because doing things for free (and anonymously) could not be co-opted, and transformed the audience to participants who could be free themselves! Why wait for retirement to drop role-playing “employee” and become “life-actor”? As Digger Peter Coyote explained in his memoir, Sleeping Where I Fall (1998), “If you wanted to live in a world with free food, then create it and participate in it.  Feeding people was not an act of charity but an act of responsibility to a personal vision.” 
Starting Fall 2017, Free City College Program is a 2-year pilot program offering free tuition to San Francisco residents!
Psychedelic posters break all the print design rules for seniors
  • use simple, easy-to-read typefaces
  • avoid long blocks of text
  • incorporate lots of white space to reduce eye fatigue
  • keep use of italics to minimum
  • maintain high contrast
“We are all handicapped … what the people really NEED” from Work Chart for Designers by Victor Papanek 
This 1973 Community Memory terminal, set-up at Leopold’s Records in Berkeley, functioned as an electronic bulletin board to democratize information sharing and considered to be the world’s first digital social network. 

de Young Museum hosted a panel discussion, Reflecting the Love Generation with curators Jill D'Alessandro (textile arts) and Colleen Terry (graphic arts) in conversation with music historian Dennis McNally and music journalist Joel Selvin, contributing authors to the catalogue for The Summer of Love Experience: Art, Fashion, and Rock & RollThey discussed free spirits drawn to San Francisco during the Summer of Love after reading Jack Keroauc’s On the Road, and the draft during Vietnam War as impetus for the Summer of Love’s philosophy of peace and love 
de Young's exhibit website includes digital stories that provide historical and cultural context: The Beginnings of the San Francisco Sound; Trips Festival; Awakening in the Park; Music and Dance Venues; Posters; Idealism on Haight; Levi’s: Practicality and Ideology; Politics; and Legacy. 
“Don’t trust anyone over 30” and gentle reminder "Be nice to each other." 
The Summer of Love Experience attracted all ages, from Hippies to Hipsters.

On the Road to the Summer of Love 
On the 50th anniversary (May 13) release of “San Francisco (Be Sure to Wear Some Flowers in Your Hair),” Summer of Love anthem sung by Scott McKenzie, California Historical Society (CHS) offered free admission to visitors wearing flowers in their hair.  
On the Road to the Summer of Love exhibit was curated by Dennis McNally, former publicist of the Grateful Dead.  
Human Be-in was organized in response to a new law in California banning the use of LSD, effective October 1966.

Summer of Love in Tenderloin 
Executive Director Katie Conry welcomed guests to Tenderloin Museum’s 2ndAnniversary Community Day.  
The Diggers' "Invisible Circus" Remembered as a 72-hour “environmental community happening” at Glide Church in February 1967, a month after the Human Be-In event.  Based on the idea that “love is communication,” The Communications Company (Com/Co) printed flash bulletins, notifying everyone what was going on, how to get there, and the news right after it happened--prototype for World Wide Web. 
Participants were invited to “do your thing, be what you are … Anyone who wants to can shape history … Those who do not create the future are required to endure the future of those who do." 
“Do you feel more like you do now than before when you came in?”
Shaping San Francisco co-director LisaRuth Elliott interviewed Judy Goldhaft, original participant in the Diggers, co-founder of Planet Drum Foundation and now exercise instructor at The Granada Hotel.  Judy recalled that Diggers used humor and improvisation to coalesce society, like the Death of Money parade.  She thought the Diggers treated women as equals, and her daughter Ocean (in the audience) said she felt empowered by female Diggers.  
David Talbot discussed Summer of Love, Season of the Witch, and the Tenderloin. In Season of the Witch (2012), David wrote that the Diggers’ women did the “grunt work that kept it all going.”  While the Diggers’ act of giving away free was performance, lasting institutions resulted from “do it ourselves” ideas like Huckleberry House for teenage runaways when it was against the law and Haight-Ashbury Free Clinic stood for healthcare as a right, not privilege.  The Diggers’ "feed-in" actions at City Hall were meant to “affirm responsibility”–to do what City government should.  As hard drugs took over, hippies left for communes or intentional communities; today, San Francisco has become so expensive, even in the Tenderloin, it is not as welcoming to creative types who cannot afford it.

Women of the ‘60s Counterculture: Planting the Seeds of Liberation 

At the San Francisco Public Library, CHS Public Programs Manager Patricia Pforte introduced Women of the ‘60s Counterculture: Judy Goldhaft, Salli Rasberry, Delia Moon, Denise Kaufman, Alexandra Jacopetti Hart, and Gretchen Lemke-Santangelo (moderator).  They shared personal stories of how growing up in dominant 1950s culture (Father Knows Best, misogyny, repression) created path to counterculture’s values (self-expression, living simply, everything free), the role of psychedelics in shaping values (“lies of older generation” that smoking pot was dangerous, LSD opened to multiple realities/possibilities/creativity/feelings of nature, etc. yet made illegal).

 
SOMArts hosted this month’s exhibition, Shifting Movements: Art Inspired by the Life & Activism of Yuri Kochiyama (1921-2014) with Passing It On: Other Feminist Futures Panel.   
With refreshments provided by People’s Kitchen Collective, the discussion reflected on Yuri’s legacy:  radical hospitality, leadership as relationship building, solidarity between communities (Asian and Black), intergenerational knowledge sharing, womanism, etc.
Meghdoot (The Cloud Messenger) by Pallavi Sharma in collaboration with other artists; each rain cloud depicts inner turmoil on present state of the world and acts as prayer.
Consciousness = power.  Individual clouds are separate but create formations and communities together, pushed together and apart by winds of social change that cannot always control.
Consciousness-raising identity in response to "othering" 
Yuri cradled Malcolm X after his assassination in 1965
Yuri’s advice through her ages on T-shirts: "decolonize your mind" and "ultimate objective in learning anything is to try to create and develop a more just society."
Resistance & Compassion (2017) mandala by Nancy Hom 


Building Community
San Francisco Main Library hosted Digital Inclusion Week, May 8-13, 2017, which included Tech ExpoLife Got Wider: Meanings Associated with the Computer Use of Older Adults exhibit, and Cyber-Seniors documentary screening.
 
May 16, 2017 Senior & Disability Rally at City Hall called for funding more home and community services, such as rental subsidies, IHSS retention pilot, internet access, transportation to and from Adult Day Programs, food through home-delivered and congregate meals, etc. 

Aging With Community: Building Connections that Last a Lifetime was the topic of the May 17, 2017 hearing before the U.S. Senate Special Committee on Aging.  Senator Bob Casey said, “Older Americans want to be out and about, ‘aging out loud,’ in their cities and towns.”  Some ideas to connect seniors with communities:
Aging and Disability Friendly San Francisco joined both WHO Global Network of Age-Friendly Cities and Communities (2014) and AARP Livable Communities (2015).